• home
  • artist statement
  • painting
    • good for one fare
    • motherland series
    • pandemic paintings
    • imagined landscapes
    • objects of affection
    • aerial landscapes
    • rainbow series
  • fiber work
    • soft city
    • come get me when its over
  • installation
    • the machines are coming
  • graphic design
  • available work
  • events
  • cv
  • home
  • artist statement
  • painting
    • good for one fare
    • motherland series
    • pandemic paintings
    • imagined landscapes
    • objects of affection
    • aerial landscapes
    • rainbow series
  • fiber work
    • soft city
    • come get me when its over
  • installation
    • the machines are coming
  • graphic design
  • available work
  • events
  • cv

el abrazo

 As San Antonio prepared for Hemisfair ’68, the fair produced a magazine called El Abrazo. In Spanish, el abrazo means “the embrace.” Published in the years leading up to the fair, the magazine promoted Hemisfair’s development, participants, attractions, and ambitions to the public. 


Frank Duane Rosengren, a San Antonio writer who served as Hemisfair’s Special Consultant for Theme Development and editor of El Abrazo, later described the publication much less romantically. He recalled it as largely a vehicle for corporate and national participants and for the rhetoric surrounding the fair: “It wasn’t really about anything. It was full of promises.” 


At the same time that Hemisfair was extending an embrace to the world, it was pushing out a well established community.



Powered by

This website uses cookies.

We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

Accept