• home
  • artist statement
  • painting
    • good for one fare
    • motherland series
    • pandemic paintings
    • imagined landscapes
    • objects of affection
    • aerial landscapes
    • rainbow series
  • fiber work
    • soft city
    • come get me when its over
  • installation
    • the machines are coming
  • graphic design
  • available work
  • events
  • cv
  • home
  • artist statement
  • painting
    • good for one fare
    • motherland series
    • pandemic paintings
    • imagined landscapes
    • objects of affection
    • aerial landscapes
    • rainbow series
  • fiber work
    • soft city
    • come get me when its over
  • installation
    • the machines are coming
  • graphic design
  • available work
  • events
  • cv

souveniers

 When Hemisfair ’68 closed, the fair itself began to disappear. Temporary buildings were dismantled, exhibits were removed, and millions of visitors went home. But they took pieces of Hemisfair with them.


Postcards, pennants, guidebooks, maps, tickets, brochures, buttons, drinking glasses, ashtrays, plates, figurines, and other souvenirs had been produced to commemorate the six-month event. More than half a century later, this ephemera remains surprisingly easy to find. Hemisfair survives not only in archives and museums, but in flea markets, antique stores, online auctions, closets, attics, and family collections.


The neighborhood that preceded it left behind a very different material record.


Hundreds of buildings were demolished as the 92-acre Hemisfair site was cleared. Houses that had accumulated generations of ordinary domestic life disappeared from the landscape, leaving much of what we know about them to property records, maps, archival photographs, and the memories of former residents and their descendants.



Powered by

This website uses cookies.

We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

Accept